Every war knows his heroes who rise above good and evil. The morality of heroes is universally dictated by courage and bright policy. For that reason, each party has its heroes who are granted with respect by friend and enemy.
The valuation of heroes is in many cases with an award and for Germany in the Second World War there was the Knight's Cross of the Iron Cross. The special feature of this award, at least compared to the First World War, was that also the ordinary soldier could earn it. By doing so it expressed the meaning that a hero could be hidden in all grades.
Most officers and soldiers who received the Knight's Cross are forgotten, but in the period 1940-1945 they spoke to the imagination. Far from the front lines some of them were photographed in the studio of Tita Binz.
Tita (Juanita) Binz (1903-1970) came from an intellectual family where the love of art was obvious. Although very little is known about Binz, she seems to have chosen early for photography. That choice will be facilitated by the fact that her uncle in the fashionable Paris of those days had a successful photo studio where she went to learn the job. Afterwards she visited various studios in Berlin, to open her own studio in 1939. One of her first clients was the publisher Film-Foto-Verlag (till 1941 Ross-Verlag). This publisher is to this day, most famous for her postcards of movie stars who figured in the German cinema.
Binz is later on asked to portray soldiers with the Knight's Cross. Of course that is uncommon for a typical entertainment company, but apparently they were also under the control of the new rulers who needed as much means for propaganda. It is at this point that two differend worlds seems to run together at least in pictures. The actor, the hero of the silver screen and the soldier, the hero of the theater of war were both raised in the same way.
Who initially sees the picture Günter Goebel (1917-1993) will not immediately think of someone who fought in 1940 by the invasion of France, was present during the invasion of Russia, survived the Battle of Stalingrad and was to be found at the largest tank battle in history in 1943 at Kursk. Heinrich Schüler (1903-1945) fought in France and Russia, was present at the Battle of Kiev and the Caucasus. Finaly he was killed in action in Poland. And that is as true for almost all the pictures Binz made.
But it was not only the image itself but also the design of the postcard that ensured that these two worlds together began to look like one another. It was decided that the lay out for actors also had to be used for the knight cross bearers.
Examples how the Film-Foto-Verlag made use off her format for actors. The pictures both the actor and the soldier are by Binz. There was just one thing that good not be copied and that's the looks. Actors are most of the time handsome man while for soldiers nature does not feel the necessity to combine these two.
To illustrate these two worlds which overlap each other is the actor Hannes Stelzer (1910-1944). In 1941 he will star as a war pilot in the movie Stukas. He is photographed on that occasion for Ross-Verlag/Film-Foto-Verlag as an actor in a uniform of the Luftwaffe. Two years later, he is obliged to report for active duty and gets a pilot training. In 1944 he was killed in Russia as his fighter is knocked down.
Binz strips the war hero of the raw reality and focuses only on his character. And thus, these propaganda cards even in those days gave the feeling as 'not really', but they were no less popular. It is known that young women swoon acted at the pictures of Walter Scheunemann (1909-1949) and Hyazinth Graf Strachwitz (1893-1968).
Remarkably Binz photographed no soldiers of the Waffen-SS. This might be due to the fact that she was friends with Hans Oster (1887-1945), a convinced opponent of the Nazi regime. She knew by that friendship also the 'conspirators' Erwin von Witzleben (1881-1944) and Erich Hoepner (1886-1944) which she portrayed all three. These pictures where not made for Film-Foto-Verlag.
Tita Binz survived the war and died at the age of 67 at Mannheim (Germany).
Below a small survey of the pictures of Ritterkreuzträger by Binz for Film-Foto-Verlag.
R 305 Eckehard Kylling-Schmidt*
R 306 Werner Ziegler*
R 335 Erwin Rommel*
R 358 Rolf Rocholl*
List of numbers en pictures of the knight cross holders by Tita Binz (Film-Foto-Verlag)
| R 262 |
Hermann Graf (1) |
R 270 |
Otto Schulze |
| R 263 |
Hermann Graf (2) |
R 271 |
Klaus Wagner |
| R 264 |
Harald von Hirschfeld (1) |
R 272 |
Gerhard Hein |
| R 265 |
Kurt Gehrke |
R 273 |
Bruno Kohnz (1) |
| R 266 |
Hugo Primozic (1) |
R 274 |
Unkown |
| R 267 |
Walter Paulus |
R 275 |
Friedrich Schneider |
| R 268 |
Johannes Morawietz |
R 276 |
Hans Christern |
| R 269 |
Karl Hausmann |
R 277 |
Hyacint Strachwitz (1) |
|
|
R 278 |
Hyacint Strachwitz (2) |
|
|
R 279 |
Bernd von Doering |
|
|
|
|
| R 280 |
Heinz Guderian (1) |
R 290 |
Eberhard Zahn |
| R 281 |
Heinz Guderian (2) |
R 291 |
Peter Frantz |
| R 282 |
Harald von Hirschfeld (2) |
R 292 |
Werner Lau |
| R 283 |
Hermann Graf (3) |
R 293 |
Gerhard Boldt |
| R 284 |
Johann Mickl |
R 294 |
Kurt Dix |
| R 285 |
Oskar Dinort |
R 295 |
Rudolf Schlee |
| R 286 |
Werner Rausch |
R 296 |
Alfred Müller |
| R 287 |
Josef Bremm |
R 297 |
Herbert Ruhnke |
| R 288 |
Heinrich Schüler |
R 298 |
Wilhelm Okrent |
| R 289 |
Richard Henze |
R 299 |
Walter Scheunemann |
|
|
|
|
| R 300 |
Fritz Arndt |
R 310 |
Harro Brenner |
| R 301 |
Werner Baumgarten-Crusius |
R 311 |
Heinrich Mahnken |
| R 302 |
Bruno Kohnz (2) |
R 312 |
Wolf Hagemann |
| R 303 |
Ernst Nobis |
R 313 |
Karl Allmendinger |
| R 304 |
Karl Torley |
R 314 |
Johann Hlauschka |
| R 305 |
Eckehard Kylling-Schmidt* |
R 315 |
Fritz Fessmann |
| R 306 |
Werner Ziegler* |
R 316 |
Hans Mikosch |
| R 307 |
Hans Erwin Schröder |
R 317 |
Alfred Hemmann |
| R 308 |
Albert Dressel |
R 318 |
Gerhard graf Schwerin |
| R 309 |
Günter Vollmer |
R 319 |
Robert Meissner |
|
|
|
|
| R 320 |
Harald von Hirschfeld (3) |
R 330 |
Georg Rietscher |
| R 321 |
Ernst Kruse |
R 331 |
Hugo Primozic (2) |
| R 322 |
Heinrich Boigk |
R 332 |
Georg Michael |
| R 323 |
Gerhard Lemke |
R 333 |
Karl Löwrick |
| R 324 |
Otto Starosta |
R 334 |
Erich von Manstein |
| R 325 |
Walter Kalkhoff |
R 335 |
Erwin Rommel* |
| R 326 |
Johann Schmölzer |
R 336 |
Josef Harpe |
| R 327 |
Kurt Kirchner |
R 337 |
Erich Jaschke |
| R 328 |
Erich Bärenfänger |
R 338 |
Karl Wilhelm Specht (1,2) |
| R 329 |
Günter Goebel |
R 339 |
Erich Löffler |
|
|
|
|
| R 340 |
Wilhelm von Malachowski |
R 350 |
Waldemar von Gaza |
| R 341 |
Hermann Ammer |
R 351 |
Bodo Spranz |
| R 342 |
Wolfgang Darius |
R 352 |
Gerhard Konopka |
| R 343 |
Karl-Heinz Noak |
R 353 |
Hans-Georg Romeike |
| R 344 |
Heinz-Georg Haase |
R 354 |
Paul Baumann |
| R 345 |
Robert Vogel |
R 355 |
Rudolf Fuchs |
| R 346 |
Otto Riehs |
R 356 |
Josef Schreiber |
| R 347 |
Robert Rahlenbeck |
R 357 |
Johannes Kümmel |
| R 348 |
Hans-Joachim von Stolzmann |
R 358 |
Rolf Rocholl* |
| R 349 |
Franz Bäke |
R 359 |
Adelbert Schulz (1) |
|
|
|
|
| R 360 |
Adelbert Schulz (2) |
|
|
| R 361 |
Richard Metzger |
|
|
| R 362 |
Hans Gidion |
|
|
| R 363 |
Walter Eggemann |
|
|
| R 364 |
Bernhard Walterbach |
|
|
R 365
R 366 |
Hans-Ulrich Rudel
Hans-Valetin Hube |
|
|
| R 367 |
Walter Nowotny |
|
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